REVIEWS

THUNDERPOINT

For Showtime/The Movie Channel, based on the Jack Higgins novel of the same name.
The Hollywood Reporter
writes “The Third Reich was tough enough, And writers keep threatening with yet a Fourth,
as in Jack Higgins’ boisterous novel “Thunderpoint”….and cinematographer Peter Benison gets taut tension.”

NIGHT OF THE TWISTERS

USA TODAY writes “The Family Channel blew away its previous record with a tornado pic, Night of the Twisters,
in February when broadcasters  traditionally unleash their best stuff.” stuff.” stuff.”

The Hollywood Reporter writes, “The film features outstanding special effects that trust the extraordinary fury
of tornadoes in your face. Early shots of sky and clouds and day footage of tornadoes touching down
all set up the main event of  ”Night of the Twisters” to be  convincing and involving. Post production sound effects
are especially slick , supporting the visual images to bring a high level of  credibility to the pictures.”

NO ONE COULD PROTECT HER
Dailey Variety 
writes “Tech credits are tops, especially Peter Benison’s emotive camerawork.

GONE IN A HEARTBEAT
Dailey Variety
 writes ”Vidpic looks genuine with its Alberta locales,
which Peter Benison’s effective lensing captures effectively”

 FOR LOVE ALONE
The Hollywood Reporter 
writes “The production values are superb, with a montage of
polished, sophisticated images that satisfy  the curiosity as well as the senses.”

 THE ACCIDENT
The Hollywood Reporter 
writes  “The Accident, A Moment of Truth Movie, is well photographed and sincerely acted…”

 UPS AND DOWNS
The Edmonton Sun  
“….with Almond’s sense of pacing and some splendid photography from Peter Benison,
UPS AND DOWNS ultimately becomes
a satisfying experience.”
Daily Variety
also says of UPS AND DOWNS  “Peter Benison’s photography is first rate throughout.”

FOR THE LOVE OF A CHILD
The Hollywood Reporter 
writes “….Peter Benison’s photography is stark yet lyrical.”

 

Cinema Art