REVIEWS
THUNDERPOINT
For Showtime/The Movie Channel, based on
the Jack Higgins novel of the same name. The
Hollywood Reporter writes “The
Third Reich was tough enough, And writers keep threatening with yet a
Fourth, as in Jack Higgins’ boisterous novel “Thunderpoint”….and
cinematographer Peter Benison gets taut tension.”
NIGHT OF
THE TWISTERS
USA TODAY
writes “The Family Channel blew away
its previous record with a tornado pic, Night of the Twisters, in February
when broadcasters traditionally unleash their best stuff.” stuff.” stuff.”
The Hollywood Reporter
writes, “The film features
outstanding special effects that trust the extraordinary fury of tornadoes
in your face. Early shots of sky and clouds and day
footage of tornadoes touching down all set up the main event of ”Night of
the Twisters” to be convincing and involving. Post production
sound effects are especially slick , supporting the visual images to bring
a high level of credibility to the pictures.”
NO ONE
COULD PROTECT HER Dailey Variety
writes “Tech credits are tops, especially
Peter Benison’s emotive camerawork.
GONE IN A
HEARTBEAT Dailey Variety
writes ”Vidpic looks genuine
with its Alberta locales, which Peter
Benison’s effective lensing captures effectively”
FOR LOVE
ALONE The Hollywood Reporter
writes “The production values are
superb, with a montage of polished, sophisticated images that satisfy the curiosity as well as the senses.”
THE
ACCIDENT The Hollywood Reporter
writes “The Accident, A Moment of
Truth Movie, is well photographed and sincerely acted…”
UPS AND
DOWNS The Edmonton Sun “….with Almond’s sense of pacing and some splendid photography from
Peter Benison, UPS AND DOWNS ultimately becomes
a satisfying experience.”
Daily Variety
also says of UPS AND DOWNS “Peter
Benison’s photography is first rate throughout.”
FOR THE
LOVE OF A CHILD The Hollywood Reporter
writes “….Peter Benison’s photography
is stark yet lyrical.”
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